Category Archives: Architecture

Buy viagra oral jelly without prescription, I’ve always been fascinated by Bunker Hill.  It’s combination of faux topography and downright weird architectural posturing has always struck me as a bit déclassé, almost as if Los Angeles is trying too hard to emulate it’s urban sibling to the East and attempt to create an urban flavor that just won’t happen overnight, no matter how hard the boosters and planners wish it to be so.  There have been plenty of dreams and more than a few nightmares in Bunker Hill’s history, and as cultural critics like Mike Davis, Jean Baudrillard, and Ed Soja have written, the areas transformation from post-war working-class slum into corporate “green zone” has re-appropriated both the context and the cultural geography of this part of Downtown L.A. and transmogrified it into a mausoleum of urbanity, viagra oral jelly without a prescription, Cheap generic viagra oral jelly, where iconography trumps memory, and things are exactly as they seem, cheapest viagra oral jelly. Order viagra oral jelly from us, Bunker Hill has gotten quite a lot of icons since 2001, giving it what is arguably one of the densest collections of high-profile architecture anywhere in the world.  Beginning with Isozaki’s MOCA Museum in 1986, find viagra oral jelly online, Discount viagra oral jelly overnight delivery, Bunker Hill has gained a dazzling new cultural monument roughly every five years, and has most recently added Viennese firm Coop Himmelblau to its collection of banal, viagra oral jelly without prescription, Buy cheap viagra oral jelly online, image-driven “starchitecture”.  It would seem though that as these monuments have proliferated, their presence has only reinforced the stigma of Downtown as a poignant example of artificial urbanism, viagra oral jelly for order, Cheap viagra oral jelly from uk, a place where the appearance of material or formal difference has come to replace any attempts to create real civic space, thus relegating the district to the fiction of car commercials and blockbuster action films, purchase viagra oral jelly. Viagra oral jelly cheapest price, Bunker Hill’s concentration of architectural monumentality reminds me of Berlin’s Kulturforum, where prior to reunification, buy discount viagra oral jelly online, Generic viagra oral jelly, Mies van der Rohe’s Neue Nationalgalerie, and Hans Sharon’s library and Berlin Philharmonie, order viagra oral jelly no prescription required, Lowest price for viagra oral jelly, together formed a flimsy rampart against the brutal spatial gravity and socio-political symbolism embodied in unrelenting presence of the Berlin Wall.  Anyone who has walked out of L.A.’s Walt Disney Concert Hall after a performance or MOCA after an opening gala is instantly struck by the silence that greets them on the corner opposite First Avenue, where the hulking static forms of the Stanley Mousk County Courthouse and the Dorothy Chandler Pavilion (Home of the L.A, viagra oral jelly purchase. Buy viagra oral jelly once daily, Opera) loom over the street like derelict ships in dry-dock.
At some point in its development, the planners of Bunker Hill must have understood that transforming the area into a lively example of civic place making was impossible, and that a prolonged strategy of urban taxidermy was therefore the only logical and inevitable solution.  So the past decade of economic vitality has given L.A, buy viagra oral jelly without prescription. a menagerie of stuffed architectural trophies, low cost viagra oral jelly, Buy viagra oral jelly in canada, all of which have amounted to little more than a field of dead city blocks whose lack of connection to their context leave them trapped in a perpetual orbit around the vacuous abyss of L.A.’s C.B.D.  Ever anxious that the small amounts of inertia left in Downtown’s cultural expansion might soon end, the city’s Community Redevelopment Agency (itself now on the chopping block because of the State of California’s budget crisis) helped to push through yet another palace of culture for Downtown- The Eli and Edythe Broad Museum of Contemporary Art, viagra oral jelly pill. Buy viagra oral jelly us, While Eli Broad’s financial psyche and political legacy with respect to Los Angeles has been exhaustively covered since his announcement of his foundation’s intent to build the museum on a vacant parking lot adjacent to the Disney Hall last spring, the contextual and design challenges facing his architects, cheap viagra oral jelly internet, Buying viagra oral jelly online, Diller, Scofidio & Renfro of New York, order discount viagra oral jelly, Viagra oral jelly overnight shipping, have been largely glossed over in shadow of their clients on buoyant reputation.

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There are several things wrong with the current scheme that extends well beyond its façade, an obvious combination of Erwin Hauer filigrees, viagra oral jelly overnight delivery, Viagra oral jelly india, and ham-fisted digital script.  First, as a few critics have already noted, viagra oral jelly online cheap, Best price viagra oral jelly, detailed depictions of the 2nd, General Thadius Kosciuszko Way, discount viagra oral jelly without prescription, Cost of viagra oral jelly, and Hope Street façades are missing from the press images.  For those who know the site, which features a four-story grade change between Grand and Hope, cheapest viagra oral jelly price, Viagra oral jelly buy online, the South and West facing elevations present the most difficult challenge since they will be the most exposed and will ultimately need to somehow create an urban link to the Redcat Theater, which lies beneath the Disney Concert Hall on  2nd Ave.  To make matters more complicated, discount viagra oral jelly no rx, Buy viagra oral jelly low price, Broad has requested that a courtyard be built on the south-western edge of the site, so that the museum may be more compassionately viewed from the future station of the Regional-Connector subway which may or may not be built over the next decade.  It would seem that a more porous approach to the museum, perhaps in the form of a ramping series of courtyards and exhibition spaces might have made this possible.   However, based on his past exploits in both the suburban housing industry and more recently at BCAM on the L.A. Buy viagra oral jelly without prescription, County Museum’s campus, Broad is not known for his understanding urbanism as a complex system beyond its politics.  Rather, for him, the city is merely an extension of his private gallery at home, where art and architecture are meant to be seen, but not experienced.

Diller, Scofidio + Renfro has delivered handsomely on this request, and based on their two major built works ( I do not count the High Line as architecture), the I.C.A. in Boston, and the recently renovated Alice Tully Hall and Lincoln Center complex in Manhattan, have questionable motives when it comes to dealing with existing urban fabric.  Their recent renovation of Lincoln Center, while consisting of some nice voyeuristic moments, a smattering of over-articulated street furniture, and an oddly under-scaled green roof is almost as civically opaque as when architects Harrison and Abramovitz first unveiled the project back in the 1950’s.  The I.C.A., whose “front-door-on-a-parking-lot” design seems itself an anti-urban concept, only confirms my suspicions that DS+R has not yet found their voice and probably isn’t the right architect for Broad’s museum.  While the firm has dealt with some extremely difficult urban sites, especially where visual exposure is concerned, and their installations and interiors are some of the most beautiful and well executed phenomenological moments I’ve seen, L.A. needs an office with the chops to pull off a truly stunning work of civic cohesiveness, rather than another trophy.   While few architects are adept at successfully designing three facades, much less four, Broad ought to have selected an office that could demonstrate a more diverse portfolio of urban architecture, thus giving L.A. a better chance at a museum which embodies the notion of spatial and civic porosity rather than a visual hat-trick.  Diller, Scofidio & Renfro will need to convince their client, whose passion for great design has, in the past, notoriously been tempered into mediocrity by his wallet, that all sides of the Bunker Hill site are fertile terrain for experimentation, and are catalytic points for actively reaching out to the surrounding city fabric.   Only then will L.A. get a museum it can be proud of, and Eli Broad a building that will carry his legacy well-beyond this century and into the next.  But for now we wait, and hold our breath till the next press conference, hoping the ghosts of Bunker Hill’s potent pre-war metropolitan fabric will somehow work their way into the design and make for a stunning spatial moment in civic culture.   L.A. needs that more than anything now, and the best possible building we can get will be the one that repairs at least some of the damage done by sixty years of narcissistic speculation atop Bunker Hill, rather than another shimmering backdrop for the occasional film shoot, or an over-wrought playground for the corporate denizens of late-capital.

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