Category Archives: Architecture

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Why Urban Operations Loves MiesSkyscraper Zines- Urban Operations Buy kamagra effervescent without prescription, This fall has been a particularly busy time for me and so I am just now resurfacing to initiate what I think will be an exciting set of posts over the next few months. Order no rx kamagra effervescent, Several things have hampered my abilities at generating new content, one of which was starting up a relationship with DOMUS, kamagra effervescent generic. Kamagra effervescent overnight, I hope to be a frequent writer for the venerable Italian design rag, and find it especially poignant that my contributions will largely be through their website, order kamagra effervescent from us. Buy kamagra effervescent without prescription, The first of what I hope to be many book reviews ran two weeks ago and another will post this week, thus explaining the lack of new content on DrowningInCulture, buy kamagra effervescent in us. Kamagra effervescent for order, The second distraction was my appointment as Participating Professor of Practice for the 2011-2012 academic year at Woodbury University’s School of Architecture, where I have taught since 2005, kamagra effervescent prices. It’s quite an honor to be one of the first recipients of this position at Woodbury and I’ve been working with Graduate Students in our newly-minted Masters Program on an Atmospheric Lab for the Owens Valley (more on that in a few weeks), buy kamagra effervescent without prescription. Buy kamagra effervescent on line, Finally, I have the distinct honor of being asked to speak at SCI-Arc on November 30th as part of their Fall Lecture Series, cheapest kamagra effervescent prices. Buy kamagra effervescent, I have high hopes that my talk will inspire and entertain, and I encourage anyone reading this to come on out and take in what promises to be an intellectually-charged evening, order kamagra effervescent without prescription. Kamagra effervescent buy, I will be discussing the aforementioned Wilshire Starmaps project as well as examining some research I’ve been generating on hybrid infrastructures in Los Angeles. This latter project, cheap kamagra effervescent without prescription, Buy kamagra effervescent no prescription required, entitled Dark Matter Urbanism will be an ongoing research piece which will seek to generate proposals for the remaindered surfaces and spaces in L.A.’s urban ecology. My lecture begins at 7PM and will be held at SCI-Arc in Downtown Los Angeles, buy cheapest kamagra effervescent online. Buy kamagra effervescent from canada, You can find out more here.  After all the hooplah has died down, content should resume it's normal monthly appearance, purchase kamagra effervescent no rx. Real kamagra effervescent without prescription, Stay tuned. Buy cheapest kamagra effervescent. Find discount kamagra effervescent. Buy kamagra effervescent us. Find cheap kamagra effervescent online. Kamagra effervescent without prescription. Kamagra effervescent. Discount kamagra effervescent overnight delivery. Find kamagra effervescent on internet. Low cost kamagra effervescent. Kamagra effervescent no rx required. Buying kamagra effervescent online. Where to buy kamagra effervescent. Lowest price for kamagra effervescent. Buy cheap kamagra effervescent internet. Order kamagra effervescent no prescription. Cheap kamagra effervescent internet. Kamagra effervescent order. Buy discount kamagra effervescent. Buy generic kamagra effervescent online. Kamagra effervescent in us. Buy kamagra effervescent lowest price.

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Buy kamagra without prescription, I have spent the last month or so taking time off from writing and enjoying being home in Los Angeles for once during the summer.  While I miss my jet-setting academic duties in China and Berlin, it's been great to have time to look around take stock of what L.A. has to offer.  Most of my attention has been focused on a new project that will got to print this fall through my office, kamagra cost, Get kamagra, Urban OperationsWilshire Starmaps, a survey of said boulevard's vertically-enhanced oddities will wrap up my five years of research on skyscrapers and their urban effects.  This year's pamphlet will feature an essay by Archinect Editor Orhan Ayyuce and he and I have spent the last two weeks driving Wilshire cataloging the architecture, find discount kamagra online, Kamagra rx, but also stumbling on a veritable garage sale of intriguing urban phenomena and cultural ephemera along the way.

I also have the pleasure of presenting in a modified version of Pecha Kucha this weekend as part of  Little Tokyo Design Week.  Architect Mohamed Sharif will M.C, tablet kamagra. Kamagra pharmacy, the event and the evening promises to be fun.  For this abbreviated P.K. (there are 40 participants!) I will be showing six images from Wilshire Starmaps as a teaser for the pamphlet in the fall.  If you're in the area, order kamagra no rx, Online pharmacy kamagra, please stop by and say "hello". Buy kamagra on internet. Cheap kamagra online. Kamagra drug. Cheap kamagra. Buy kamagra from us. Buy kamagra low price. Kamagra in bangkok. Compare kamagra prices. Order cheap kamagra online. Order kamagra. No rx kamagra. Kamagra online cheap. Kamagra free sample. Kamagra bangkok. Kamagra alternative. Kamagra price. Where to order kamagra. Order generic kamagra. Cheap kamagra in uk. Buy kamagra overnight delivery. Kamagra online sale. Kamagra no prescription. Lowest price kamagra. Overnight kamagra. Kamagra online. Kamagra sales. Generic kamagra. Generic kamagra online. Cheapest kamagra. Kamagra pharmacy online. Kamagra cheap price. Buy cheap kamagra online.

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Buy amoxicillin without prescription, Now that post-criticality has finally been debunked as a thin veneer covering a deep and growing pool of cynicism within architecture, architects and urban planners should feel O.K. about reading again, order amoxicillin in canada. Cheap amoxicillin no rx, The problem is, that with the decline of both academic and professional journals alike, amoxicillin without a prescription, Buy cheap amoxicillin, the number of outlets for serious writing have almost disappeared from the design discipline. It’s not just that the proliferation of blogs and apps like Twitter have proven to be more efficient vehicles for information delivery, cheap amoxicillin from usa, Cheap amoxicillin from uk, or that the psychology attached to digital media has provoked a conditioning tending towards those with short attention spans, but rather it’s that magazines are simply harder to produce than digital content, approved amoxicillin pharmacy. Amoxicillin australia, However, while physical information exchange is slowly being supplanted by an online culture of surfing for information, amoxicillin overnight delivery, Amoxicillin uk, the past ten years of publishing have produced more than a few exceptional artifacts which transcend the contemporary individual’s tendencies toward temporal dabs at intellectualism. One of these projects is MONU, buy amoxicillin without prescription.

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While academic journals have long been used to produce scholarly work and magazines have been left to simply entertain or inform, publications like MONU allow us to explore these categories simultaneously without being exposed to the overly simplistic projections of coolhunters or the patronizing attitudes of the mainstream design press. The rise of the Internet has certainly done damage to the printed word, but small publications like MONU represent fertile ground for the exchange, and most importantly, the documentation of critical ideas and projects. The wide breadth of information and themes explored in each issue mean that Upmeyer and his writers (which include, from time to time, yours truly) are slowly growing an archive of urban interrogation, proving that even with the decline of print in the digital age, the written word still matters.

You can purchase MONU online by emailing the publishers:  publishers@b-o-a-r-d.nl, at selected architecture bookstores, or through Amazon.com.
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A certain kind of nostalgia for Sixties has permeated academic circles within architecture for some time now.  Wistful and watery eyes look hopefully to that blurry, radicalized space between the death of International Style Modernism and the Post-modern period that followed.  We’ve come to love the notion of architecture in the Sixties and Seventies because it seemed so optimistic.  Like the popular culture of the time, you had your “hot” and your “cool”, or in architecture’s case, your Bundshafts and your Chip Lords, all ready to either help “the man” or resist consumerism's charms by unplugging completely.  The latter days of PoMo have not been so kind with capitalism having so saturated the Avant-garde that form itself- that one-time life raft of radicalism, has been thoroughly co-opted by the likes of Lexus and Nike.  What’s a designer to do but turn on, tune in, and drop out. Domes be damned, female pink viagra sale. Discount female pink viagra online, Clip Stamp Fold insert

Subsequently, a Post-War generation of architecture’s radicals graduated into thoroughly globalized practitioners, purchase female pink viagra online, Female pink viagra free sample, became the heads of schools, and in doing so, female pink viagra prices, Female pink viagra purchase, became THE MAN.  But if you want a recap and or wish to sample the terrain before the fall, then you’ll enjoy Actar’s newest offering, female pink viagra without a prescription, Order discount female pink viagra online, Clip Stamp Fold:  The Radical Architecture of Little Magazines 196X to 197X.  Assembled by historian and theorist Beatriz Colomina, Craig Buckley, buy female pink viagra no prescription required, Female pink viagra in uk, and their students at Princeton University as a traveling exhibition, this hefty book curates and exposes an exhaustive collection of radical viewpoints and the “little magazines” that birthed them.  What you get here is a visual performance, cost female pink viagra, Buy female pink viagra on line, one that is embodied by a clever collage of small talks, interviews, buy cheap female pink viagra internet, Compare female pink viagra prices, rare archival images, and historical excerpts, best price for female pink viagra, Buy female pink viagra, all of which thankfully seek to halt any further nostalgic pangs that the 60’s and 70’s might evoke in the tender doctoral student’s heart, through shear indexical production alone, no rx female pink viagra. Order female pink viagra, Clip Stamp Fold

Each of the magazines I saw was part of, as you said, buying female pink viagra, Cheap female pink viagra internet, a network.  Actually if you looked at these smaller magazines, they were linking up with people around either the country of the world, best price female pink viagra, Female pink viagra price, [people] who had similar views and ideas.”- Peter Murray

Having been fond of the polemical projects of Ant Farm, Archigram, discount female pink viagra overnight delivery, Buy cheapest female pink viagra online, Superstudio and Archizoom since I was a student in the late Nineties, I was delighted to read the collection of interviews (sectioned in the book into smaller, cheapest female pink viagra price, Buy female pink viagra lowest price, zine-like missives) which included chats with Chip Lord, Peter Cook, female pink viagra rx, Find female pink viagra on internet, and Andrea Branzi.   There’s nothing new here that a scholar of the period wouldn’t have already intercepted, though the interviews with Jean Aubert of Utope:  Sociologie De L’Urban, buy cheapest female pink viagra, Female pink viagra online cheap, Lucia Licitra Ponti of Domus, and Peter Crump's Street Farmer, female pink viagra malaysia, Find no rx female pink viagra, to name a few, were welcome additions to my own mental cartography of the projects produced at the time (Domus seems obvious, buy cheapest female pink viagra on line, Buy female pink viagra on internet, but I’d always thought it too obsessed with being Italian to take it seriously before I read Lucia’s interview).  The casual nature of the transcripted talks and visual material is what makes Clip Stamp Fold intriguing as a project.  You’d expect Colomina, a hardened academic with massive chops, female pink viagra approved, Cheap female pink viagra in canada, to collapse the vast archive into a readymade text to be trotted out in survey courses everywhere.  However, she and her team allow the trajectory of the material to overlap, female pink viagra online, Find female pink viagra no prescription required, to flow, and ooze from project to project, buy female pink viagra online without prescription, Female pink viagra cheapest price, demonstrating that while the theme of radicality certainly applies to the perpetrators of the little magazines,  the shear conceptual drift and lack of a cohesive identity amongst the publications make taxonomy irrelevant.

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The architecture magazine was a way of communicating, a way of keeping up-to-date.  We pointed out talent, Italian talent or worldwide talent.  We had to point that out mainly through images.  We weren’t a dictionary, an encyclopedia, or a movement.”- Lisa Licitra Ponti (editor at Domus 1948-1986)

Clip Stamp Fold catalogues the front resisting an architectural culture under the duress of designing itself into a permanent state of complacency. The “Generation of 68’” and those who followed closely behind had an axe to grind, and one that couldn’t simply be branded by MoMA or the cool-hunters of the day for consumptive purposes (Though Italy: The New Domestic Landscape certainly tried).  Much like the indie musicians who would take the piss out of the early 1980’s and Reagan’s money-grubbing yuppies by clambering into vans, and developing a loose network of moldering outposts of anti-corporate music culture and edgy zines in their wake, the instigators of the little magazines in Clip Stamp Fold cobbled together their own infrastructural network of sorts.  It was one not bent on regurgitating the sub-cultural fads of the day into empty hipsterish jargon, or kowtowing to whims of trade vendors, but rather they were intent on proliferating alternative frequencies of information, so as to strengthen architectures critical voice as a subcultural message, giving it a resonating timbre that questioned the very notions of professional practice and the role of the architect in the Post-fordist world.

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…The school was enormous.  We had no control; we simply did what we wanted.  We suggested things to those who wanted to listen, to follow, to do things, but we didn’t have control.  There was no control possible.  Melp. set off terrible polemics.”- Pierre Clement (editor of Melpomene 1962-66)

Clip Stamp Fold communicates that, when pressed, architecture can critically expose itself to satirical parody and refreshingly innocent or creatively introspective production.  That many of the publications in the book resulted in the cohesive idea of a critical movement, a rumor that staggered on till the end of the late-Twentieth Century, might be saying too much, for many of the little magazines were dead-set on staking out their own unique and fertile ground in order to free themselves from the tired notion of architectural practice itself.  However, by committing words and images to paper, they forced the rudder of design on an imperceptibly different course, and tasted what it’s like to promote a revolution, the flags of which have found their comfortable resting place in history with the release of this not-so-little book.

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Mockups Buy viagra without prescription, I have the distinct pleasure of being part of a talented group of architects who are exhibiting work centered around the concept of the digitally-fabricated mock-up.  My office, Urban Operations generated a computationally-influenced form work called "Diamond Dogs" which seeks to interrogate the relationship between digital aesthetics and the practicalities of manual production.  The exhibition opens at the Woodbury University Hollywood Gallery (WuHo) tonight and there will be a panel discussion on Sunday, March 20th.  If you are in the L.A. Order viagra no rx, area why not stop by this evening to see the show.   A press release follows, buy viagra online. Cheap generic viagra, Mockups
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Perhaps ours is simply not an era for grand designs and revolutionary ambitions, yet we ought to think twice before dismissing with such self-satisfaction those, like Stockhausen, who remind us that such transformations are still possible---and that they may not always be.

It is generally agreed that critical urban theory, or any kind of critical theory for that matter, has declined in influence since the late 90’s, and most notably within design circles.  Some would suggest it’s voice has been muted by the cacophonous din of pro-capitalist forces who have gleefully borne architecture up and onto the podium of the world stage, first as a dewy-eyed debutante to be debauched, and presently as a seasoned prostitute, whose sexual powers seduce even the most provincial locale into a spending its way out of post-industrial degradation, and into a global destination, developed solely for those who can afford the plane fare.  Others would say that Theory is useless beyond its application as a post-critical strategy for assigning ideology to a project (since buildings in and of themselves make for poor stories).  For those who still believe though, Theory- architecture’s recalcitrant sibling, still shadows the discipline, if not to govern (for now), to at least keep pragmatism in check by angrily raising its voice from time to time, so as to remind designers that beyond the seductive geometries and vivid sensorial environments made possible by the last twenty years of economic prosperity and technological innovation, the semblance of a cultural narrative is still desired for moral stability.  However, this is not to add relevancy to building, but rather to ask the important “why?”, so that we as professionals understand the social and cultural ramifications of a project beyond its aesthetic effect on the city itself.

What is almost routinely lost sight of today is the understanding that market liberalization (i.e., cheap gold viagra from uk, Order no rx gold viagra, a single integrated, and deregulated world market) and globalization are two very different things.

Sanford Kwinter has been at the forefront of architectural theory over the past two decades, purchase gold viagra, Tablet gold viagra, largely as an academic provocateur, but also as the primary force behind the ZONE Books series, gold viagra for sale, Buy gold viagra us, which sought to catalog and represent the more intense investigations of the design disciplines mapping of its most piquant ideological peaks.  His voice, part of a larger critical conversation underpinned by the likes of Jeffrey Kipnis, gold viagra from india, Buy generic gold viagra, Keller Easterling, Michael Sorkin, buy gold viagra on line, Order gold viagra, and Manuel Delanda, to name a few, cheap gold viagra in usa, Find no rx gold viagra, represents the remaining friction left in the conversation between theory and practice.  Kwinter’s new book, Requiem, purchase gold viagra overnight delivery, Gold viagra prices, visualizes the intellectual terrain of late Twentieth Century urbanism, and is both a practical guide for maintaining one’s mental chops, buy no rx gold viagra, Gold viagra online pharmacy, but also an unaffected, yet paradoxically acerbic lecture about the current state of architecture as it enters its second decade of the Twenty-first Century, buy gold viagra online cheap. Gold viagra in uk, “’Experience’ is becoming the new shibboleth and buzzword in the post-electronic commercial world (an uncomely by-product of the cult of ‘on-line experience’ engineering).

In keeping with traditions of Zone, Requiem is designed both as an intellectual vessel, buy gold viagra low price, Cheapest gold viagra prices, in this case for Kwinter’s arguments, but also as a graphic device which reinforces the message.  Its compact size (an industry default he notes) and pedestrian font selection (Times New Roman) seeks to not only develop a critical stance against the last two decades of aesthetically ripe, buy generic gold viagra, Gold viagra purchase, yet ideologically empty graphic design, but also serves as a visual armature to represent the theoretical stance Kwinter wishes to illustrate.  Thus Requiem is both a visual and ideological portrait of a glass floor, gold viagra malaysia, Cheapest gold viagra online, the cracks in which are subtly growing larger, even as we wish to ignore the sounds of their presence, purchase gold viagra. Buy discount gold viagra online, “The poverty of much urbanist thought can be traced to a persistent fallacy: that the city, or Metropolis, gold viagra canada, Gold viagra no prescription, expresses itself preeminently in its physical form and that it is amenable to analysis and intervention as a finite concrete object alone.  The city, however, gold viagra online stores, Find gold viagra no prescription required, is not this but rather a perpetually organizing field of forces in movement, each city a specific and unique combination of historical modalities in dynamic composition.

Requiem takes us a surgical examination through the annals of late-modernist urban history, tablet gold viagra, Sale gold viagra, not simply through its architectural effects, but it’s political ones as well.  Beginning with the Pompidou’s construction in 1960’s Beaubourg, buy gold viagra canada, Gold viagra information, he uses architecture as a catalyst to represent the Post-Fordist city’s violent socio-cultural transformation in the age of flexible accumulation.  Drawing deeply on critical economic theory developed by referenced sources such as Karl Popper, and obvious unreferenced Neo-Marxists such as Manuel Castells, cheapest generic gold viagra online, Buy gold viagra on internet, and Frederic Jameson, Kwinter constructs an articulate mapping which concludes, gold viagra free delivery, Buy cheapest gold viagra on line, not with a dooms-day scenario, but rather with a convincing call-to-arms, gold viagra for sale, Gold viagra tablet, one though that will perhaps resonate more readily with freshmen students of architecture, rather than their commission-stunned professors.  This tactic marks the success of Requiem, in that it does not seek to wax nostalgic about Theory’s former role in the discipline.  Instead, Sanford Kwinter desires to excite and inspire those who will surely have to reconcile the intellectually bankrupt trespasses of an architectural culture whose most vocal mandate currently seems to be an unhealthy obsession with itself.

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Buy viagra super force without prescription, Being a fan of zines, and having produced a few of my own, I'm always conflicted about how to deal with the ever expanding landscape of literary paper that has relentlessly conquered every shelf in my home and office.  Books have their own immortal hierarchy, and are not recycled, but sold or donated to the local charity shop.  Zines have a kind of cultural cache, and much like art, are generally stored or often in my case, used as subject material for my theory and studio courses.  The newspaper however, is a much more ephemeral case, and as anyone knows from watching the popular show, Hoarders, when amassed in bulk, is the signifier of disturbed individuals in need of therapeutic intervention.  It’s funny, because while I do see books still outnumbering digital readers here in L.A. the number of people reading the LA Times, no rx viagra super force, Buy viagra super force in us, or even the LA Weekly has declined precipitously.

Enter The Last Newspaper, cost viagra super force, Buy viagra super force without prescription, a project at the New Museum, and which I was involved in through The New City Reader, viagra super force tablets, Find cheap viagra super force online, produced by Kazys Varnelis, Joseph Grima, buy viagra super force from canada, Buying viagra super force online, and Alan Rapp.  Recognizing that like a T-Square in an architecture office, the newspaper has become a cultural anomaly, cheap viagra super force in canada, Buy viagra super force us, The Last Newspaper seeks to document the last days of pulp, or at least it’s “glory days”.  I didn’t have the opportunity to see the show while I was in Manhattan last month, lowest price for viagra super force, Cheap viagra super force pharmacy, but was happy to play a small part in the project by producing a piece for the NCR Sports edition.  This is ironic since I don’t read the Sports section in the digital edition of The Times, or any paper for that matter, cheap generic viagra super force, Discount viagra super force, nor am I interested in the kind of sport newspapers cover, with the exception of the Tour de France, order viagra super force in us, Viagra super force drug, which is given sparse copy space in June and July, and usually reduced to one column by the time the bikes hit the final stage in Paris, find cheap viagra super force. Discount viagra super force no rx, My article for The New City Reader, entitled “Now that the Magic’s Gone”, viagra super force overnight delivery, Viagra super force in us, focused on the said stars real estate ventures in South Central L.A.  I spent a day driving around visiting Starbucks locations formerly owned by Magic Johnson’s investment group, Canyon Johnson Urban Funds, viagra super force cheapest price, Find viagra super force, which bought or franchised theaters, corporate food industries like Starbucks and TGI Friday’s and brought them to poor, buy viagra super force once daily, Buy cheap viagra super force internet, working class neighborhoods in South Los Angeles.  Since the late 1990’s Johnson was credited for being part of the urban renewal that had already permeated most of Los Angeles after the riots, but wasn’t finding much ground in South Central due to lack of investment.  While Johnson’s strategy certainly did bring service-industry jobs to an area decimated by poverty and urban blight, compare viagra super force prices, Find discount viagra super force, I suggested that these jobs were largely contingent on the rest of the community finding employment in positions that would allow them to consume these distinctly middle-class commodities.  In the end, Magic Johnson’s group largely divested itself of its franchise empire, viagra super force pharmacy, Cheap viagra super force, and without his backing I speculated that many of the stores will close within a few years, casualties of the economic downturn, find viagra super force on internet, Viagra super force online sale, and would return South Central to its post-riot commercial malaise because they did not provide real working class jobs or produce goods and services that anyone really needed.

But back to the newspaper, cheap price viagra super force. Buy viagra super force no prescription required, Rupert Murdoch, a man who built his media empire on print, buy viagra super force lowest price, Order cheap viagra super force online, announced a new digital news delivery service, called “The Daily” and which is available exclusively for Apple’s iPad for only $40.00 per year.  Media projects like The Daily will kill the traditional newspaper as digital readers become more affordable and more news companies exploit the medium in order to make content delivery more accessible to a wider range of markets and demographics.  That Murdoch is re-shuffling his own media resources into this new medium almost guarantees its success, buy viagra super force online australia, Cheapest viagra super force price, and the man who it is said is responsible for killing the news, by creating FOX News, viagra super force price, Cost of viagra super force,   may have put the final nail in the coffin of the newspaper.

I have only two rapidly yellowing copies of the NCR, and these are from the first edition which recounted the events surrounding the 1976 Blackout, which plunged the New York Metro area into darkness, kicking off days of rioting in the Bronx.  As the project’s contributors point out, the New York Times editors went to great lengths to ensure the papers printing and delivery, despite having no power.  But they were working in analogue system, and not yet fully beholden to digital transmission systems or the Internet.  One wonders then, even as we bid the concept of a physical newspaper adieu, if the idea of the newspaper could survive a similar occurrence today, and still inform since its infrastructure is now built primarily of digital networks.  Perhaps in the end ad hoc solutions will prevail, and the next epic crisis will unfold through analogue means.  For as the recent Internet blackout spread across Egypt in the wake of that country’s civil revolution, I’m sure there were people in the streets, short-run papers in hand, trying to tell Egyptians everywhere, that a new day had come.

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A view of Bunker Hill circa 2007 Buy viagra oral jelly without prescription, I’ve always been fascinated by Bunker Hill.  It’s combination of faux topography and downright weird architectural posturing has always struck me as a bit déclassé, almost as if Los Angeles is trying too hard to emulate it’s urban sibling to the East and attempt to create an urban flavor that just won’t happen overnight, no matter how hard the boosters and planners wish it to be so.  There have been plenty of dreams and more than a few nightmares in Bunker Hill’s history, and as cultural critics like Mike Davis, Jean Baudrillard, and Ed Soja have written, the areas transformation from post-war working-class slum into corporate “green zone” has re-appropriated both the context and the cultural geography of this part of Downtown L.A. and transmogrified it into a mausoleum of urbanity, low cost viagra oral jelly, Viagra oral jelly professional, where iconography trumps memory, and things are exactly as they seem, order viagra oral jelly online. Viagra oral jelly overnight, Bunker Hill has gotten quite a lot of icons since 2001, giving it what is arguably one of the densest collections of high-profile architecture anywhere in the world.  Beginning with Isozaki’s MOCA Museum in 1986, viagra oral jelly alternative, Drug viagra oral jelly online purchase, Bunker Hill has gained a dazzling new cultural monument roughly every five years, and has most recently added Viennese firm Coop Himmelblau to its collection of banal, order viagra oral jelly overnight delivery, Viagra oral jelly cheap price, image-driven “starchitecture”.  It would seem though that as these monuments have proliferated, their presence has only reinforced the stigma of Downtown as a poignant example of artificial urbanism, viagra oral jelly pills, Low price viagra oral jelly, a place where the appearance of material or formal difference has come to replace any attempts to create real civic space, thus relegating the district to the fiction of car commercials and blockbuster action films, viagra oral jelly approved. Buy cheap viagra oral jelly, Bunker Hill’s concentration of architectural monumentality reminds me of Berlin’s Kulturforum, where prior to reunification, canada viagra oral jelly, Find viagra oral jelly online, Mies van der Rohe’s Neue Nationalgalerie, and Hans Sharon’s library and Berlin Philharmonie, viagra oral jelly us, Viagra oral jelly, together formed a flimsy rampart against the brutal spatial gravity and socio-political symbolism embodied in unrelenting presence of the Berlin Wall.  Anyone who has walked out of L.A.’s Walt Disney Concert Hall after a performance or MOCA after an opening gala is instantly struck by the silence that greets them on the corner opposite First Avenue, where the hulking static forms of the Stanley Mousk County Courthouse and the Dorothy Chandler Pavilion (Home of the L.A, buy viagra oral jelly overnight delivery. Viagra oral jelly online sales, Opera) loom over the street like derelict ships in dry-dock.
At some point in its development, the planners of Bunker Hill must have understood that transforming the area into a lively example of civic place making was impossible, and that a prolonged strategy of urban taxidermy was therefore the only logical and inevitable solution.  So the past decade of economic vitality has given L.A, buy viagra oral jelly without prescription. a menagerie of stuffed architectural trophies, buy viagra oral jelly, Order cheap viagra oral jelly, all of which have amounted to little more than a field of dead city blocks whose lack of connection to their context leave them trapped in a perpetual orbit around the vacuous abyss of L.A.’s C.B.D.  Ever anxious that the small amounts of inertia left in Downtown’s cultural expansion might soon end, the city’s Community Redevelopment Agency (itself now on the chopping block because of the State of California’s budget crisis) helped to push through yet another palace of culture for Downtown- The Eli and Edythe Broad Museum of Contemporary Art, order viagra oral jelly without prescription. Viagra oral jelly without a prescription, While Eli Broad’s financial psyche and political legacy with respect to Los Angeles has been exhaustively covered since his announcement of his foundation’s intent to build the museum on a vacant parking lot adjacent to the Disney Hall last spring, the contextual and design challenges facing his architects, buy viagra oral jelly from us, Viagra oral jelly medication, Diller, Scofidio & Renfro of New York, drug viagra oral jelly, Certified viagra oral jelly, have been largely glossed over in shadow of their clients on buoyant reputation.

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There are several things wrong with the current scheme that extends well beyond its façade, an obvious combination of Erwin Hauer filigrees, lowest price viagra oral jelly, Viagra oral jelly rx, and ham-fisted digital script.  First, as a few critics have already noted, order viagra oral jelly on internet, Viagra oral jelly vendors, detailed depictions of the 2nd, General Thadius Kosciuszko Way, cheapest viagra oral jelly, Find discount viagra oral jelly online, and Hope Street façades are missing from the press images.  For those who know the site, which features a four-story grade change between Grand and Hope, canadian viagra oral jelly, Cheap viagra oral jelly on internet, the South and West facing elevations present the most difficult challenge since they will be the most exposed and will ultimately need to somehow create an urban link to the Redcat Theater, which lies beneath the Disney Concert Hall on  2nd Ave.  To make matters more complicated, viagra oral jelly overnight shipping, Viagra oral jelly sales, Broad has requested that a courtyard be built on the south-western edge of the site, so that the museum may be more compassionately viewed from the future station of the Regional-Connector subway which may or may not be built over the next decade.  It would seem that a more porous approach to the museum, perhaps in the form of a ramping series of courtyards and exhibition spaces might have made this possible.   However, based on his past exploits in both the suburban housing industry and more recently at BCAM on the L.A. Buy viagra oral jelly without prescription, County Museum’s campus, Broad is not known for his understanding urbanism as a complex system beyond its politics.  Rather, for him, the city is merely an extension of his private gallery at home, where art and architecture are meant to be seen, but not experienced.

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Diller, Scofidio + Renfro has delivered handsomely on this request, and based on their two major built works ( I do not count the High Line as architecture), the I.C.A. in Boston, and the recently renovated Alice Tully Hall and Lincoln Center complex in Manhattan, have questionable motives when it comes to dealing with existing urban fabric.  Their recent renovation of Lincoln Center, while consisting of some nice voyeuristic moments, a smattering of over-articulated street furniture, and an oddly under-scaled green roof is almost as civically opaque as when architects Harrison and Abramovitz first unveiled the project back in the 1950’s.  The I.C.A., whose “front-door-on-a-parking-lot” design seems itself an anti-urban concept, only confirms my suspicions that DS+R has not yet found their voice and probably isn’t the right architect for Broad’s museum.  While the firm has dealt with some extremely difficult urban sites, especially where visual exposure is concerned, and their installations and interiors are some of the most beautiful and well executed phenomenological moments I’ve seen, L.A. needs an office with the chops to pull off a truly stunning work of civic cohesiveness, rather than another trophy.   While few architects are adept at successfully designing three facades, much less four, Broad ought to have selected an office that could demonstrate a more diverse portfolio of urban architecture, thus giving L.A. a better chance at a museum which embodies the notion of spatial and civic porosity rather than a visual hat-trick.  Diller, Scofidio & Renfro will need to convince their client, whose passion for great design has, in the past, notoriously been tempered into mediocrity by his wallet, that all sides of the Bunker Hill site are fertile terrain for experimentation, and are catalytic points for actively reaching out to the surrounding city fabric.   Only then will L.A. get a museum it can be proud of, and Eli Broad a building that will carry his legacy well-beyond this century and into the next.  But for now we wait, and hold our breath till the next press conference, hoping the ghosts of Bunker Hill’s potent pre-war metropolitan fabric will somehow work their way into the design and make for a stunning spatial moment in civic culture.   L.A. needs that more than anything now, and the best possible building we can get will be the one that repairs at least some of the damage done by sixty years of narcissistic speculation atop Bunker Hill, rather than another shimmering backdrop for the occasional film shoot, or an over-wrought playground for the corporate denizens of late-capital.

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Eric Owen Moss samitaur tower Buy cialis jelly without prescription, Another sad prop of egotistical folly has lifted itself out of the money pit known as the Hayden Tract.  The Samitaur Tower, which was designed by Eric Owen Moss Architects represents the newest piece in self-aggrandizement by developers Frederick and Laurie Samitaur-Smith who have slowly re-shaped and re-designed the dilapidated industrial district near Culver City into an architectural theme park since the early 1990’s.   Most of the signature architecture has been designed by Eric Owen Moss and his firm, and stands as not only the largest concentration of avant-garde architecture on the Westside, but represents virtually all of Eric Owen Moss Architect’s output as an office.  Several critics have written about the numerous projects produced by Moss and the Samitaur-Smiths from an aesthetic standpoint, but few have really taken into account the larger urban implications of the project.  Now with the Expo light rail line on its way to completion across the street, both the Samitaur-Smiths as well as Moss have been using their project’s proximity to new line to promote their own utopian ideals of what they envision the city to be, which if you listen to the tired rhetoric posited by both parties, appears to be largely self-reflective and blissfully ignorant towards any sort of complex understanding of architectures role in city life.

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In a recent LA Weekly article, buy generic cialis jelly online, Tablet cialis jelly, the degree of hubris and naivety expressed by the Samitaur-Smiths was fully exposed by author Gendy Alimurung, who’s tidy piece of journalism clearly illuminated the problem of successful developers with no civic vision.  Like the bakery owner who can’t understand why the homeless won’t eat their moldy bread, cheap cialis jelly from canada, Cialis jelly drug, the Samitaur-Smiths cannot fathom why their twenty-year project on the Hayden Tract represents some of the worst kind of city-building imaginable.   Its elitist approach in dealing with Culver City’s dormant industrial fabric lacks foresight towards the future growth of the area as well as a compassionate attitude towards envisioning a future where the car will not matter so much in L.A.  Moss’s tower is merely an antiquated post-modern road sign to an architectural legacy, and one which has been long surpassed in the work of his contemporaries, cialis jelly pharmacy online, Purchase cialis jelly, whose practices have moved beyond creating urban iconography and visual clutter that can be viewed at 35 m.p.h.

The Hayden Tract’s shift from industrial production to cultural production in the early 1980’s has left a diverse field of working and middle class neighborhoods, cheapest generic cialis jelly online, Cialis jelly cost, whose desirability has only increased in recent years with the arrival of blue-chip art galleries, and a revitalization of Downtown Culver City from a decaying, find cheap cialis jelly, Buy cialis jelly without prescription, post-aerospace era main street into a commercial district with an emergent nightlife and sustainable civic future.  What the city is missing however is some continuity between its commercial and residential neighborhoods, and the Hayden Tract is a prime example of the rift.  On National Boulevard the unified mass of the Samitaur-Smith’s cluster of buildings rises up like the distorted wall of an ancient  castle, cialis jelly india, Cialis jelly no rx, a once logical move considering that the streets original use as a freight route by both trucks and trains alike.  However, with the arrival of the light rail station down the street and inevitable transformation of the area into a pedestrian zone, order cialis jelly no rx, Cheap cialis jelly tablets, their complex represents an impediment to any sort of evolving street life there.

L.A, buying generic cialis jelly. Order cialis jelly without prescription, doesn’t need any more gated office parks or residential estates.  Instead the our metropolis requires smart and egalitarian planning strategies that keep developing the positive civic gains made during the past ten years of economic boom.   Parks have been built, our light rail network continues to expand, cialis jelly side effects, Buy discount cialis jelly, and pedestrian and bicycle lanes now ooze into parts of the street once dominated by traffic.   While these pieces of infrastructure don’t make a city, they certainly play a key role in keeping it alive.  More importantly these improvements are happening in parts of Los Angeles that were systematically written off during its period of post-war suburban exodus, cialis jelly bangkok, Cialis jelly discount, and are now experiencing a renaissance which has stimulated local investment and made them exemplars of the beauty to be found in urban life.  Now that the recession has scuttled a majority of these vital civic projects, including the city’s Community Beautification Grant Program which allowed a more grass-roots approach to urban improvement, order cheap cialis jelly, Cialis jelly overnight delivery, help from the private sector is needed more than ever.  It’s too bad that the Samitaur-Smiths only see the tract as an art piece, or testament to their singular introverted vision of culture, low cost cialis jelly, Cialis jelly cheapest price, since its position and scale make it obviously more than that to the surrounding neighborhoods.  However, its worse that Moss, buy cheap cialis jelly internet, Cialis jelly overnight, an architect and educator known for his predilection towards fractious discourse, didn’t assert the gravity during the Art Tower’s design to pull his clients out of the realm of ego and into the forum of civic life, cialis jelly medication. Cialis jelly no online prescription, Up until 2008, when the economy took a nose-dive, buy cialis jelly, Order generic cialis jelly, the benefits of economic expansion where most evident in the way cities were able to give themselves a much needed face-lift.  Flush with cash from development fees and property taxes brought about by the ten year speculative building splurge, city governments funded an astounding number of urban renewal projects that ranged from building new parks, cialis jelly from india, Lowest price cialis jelly, to pushing through expansive light rail projects.  L.A.’s urban fabric certainly has changed from the time when this blog was first started back in 2002.  We have several new light rail lines, several wonderful parks, buy cialis jelly online without prescription, Buy generic cialis jelly online, and even a few new libraries- the stuff that really defines civic infrastructure and serves as a litmus of good health and fitness for a city as large as Los Angeles.

However, cialis jelly online without a prescription, Cheapest cialis jelly prices, the good times don’t ever last, and economies don’t collapse suddenly.  They’re a bit like a patient who is dying of cancer.  With each blast of chemo or round of invasive surgery, cialis jelly pill, Cheap cialis jelly pill, the body begins to show more and more structural and cosmetic fatigue before it finally collapses.  The effects of the current economic recession (it’s still here, no matter what they tell you), buy cialis jelly in canada, Buy cialis jelly on line, are most evident in urban environments like L.A.s where small reductions in city services, the suspension of grant programs, and mass layoffs or furloughs within city departments threaten the past ten years of civic evolution.  Of course there are the unemployed and the “for rent” signs are sprouting like weeds in formerly transitioning neighborhoods.   But life will go on, and the city will endure, it always does.
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It is times like these however when the private sector, more than in boom times, should step in to shore up the ailing civic programs and give back to the city that has made them rich, rather than pulling up the drawbridge and pouring their wealth into self-aggrandizing follies and acquisitions.  Architecture is certainly the villain here, as it is the most physical of investments to punctuate the urban landscape and is most noticeable when its intentions are more the stuff of selfish desire than philanthropic agency.  While no developer can be expected to fulfill all the social needs of the city from which they operate, the work of a few individuals.

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