Category Archives: Books

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Posted on November 22, 2011 by admin

Buy kamagra effervescent without prescription, This fall has been a particularly busy time for me and so I am just now resurfacing to initiate what I think will be an exciting set of posts over the next few months. Generic kamagra effervescent online, Several things have hampered my abilities at generating new content, one of which was starting up a relationship with DOMUS, kamagra effervescent tablets. Kamagra effervescent alternative, I hope to be a frequent writer for the venerable Italian design rag, and find it especially poignant that my contributions will largely be through their website, kamagra effervescent overnight. Where to order kamagra effervescent, The first of what I hope to be many book reviews ran two weeks ago and another will post this week, thus explaining the lack of new content on DrowningInCulture, approved kamagra effervescent pharmacy. Purchase kamagra effervescent overnight delivery, The second distraction was my appointment as Participating Professor of Practice for the 2011-2012 academic year at Woodbury University’s School of Architecture, where I have taught since 2005, buy cheap kamagra effervescent internet. It’s quite an honor to be one of the first recipients of this position at Woodbury and I’ve been working with Graduate Students in our newly-minted Masters Program on an Atmospheric Lab for the Owens Valley (more on that in a few weeks), buy kamagra effervescent without prescription. Cheap kamagra effervescent in uk, Finally, I have the distinct honor of being asked to speak at SCI-Arc on November 30th as part of their Fall Lecture Series, kamagra effervescent online cheap. Kamagra effervescent vendors, I have high hopes that my talk will inspire and entertain, and I encourage anyone reading this to come on out and take in what promises to be an intellectually-charged evening, get kamagra effervescent. Buy kamagra effervescent overnight delivery, I will be discussing the aforementioned Wilshire Starmaps project as well as examining some research I’ve been generating on hybrid infrastructures in Los Angeles. This latter project, cheap kamagra effervescent online, Buy kamagra effervescent canada, entitled Dark Matter Urbanism will be an ongoing research piece which will seek to generate proposals for the remaindered surfaces and spaces in L.A.’s urban ecology. My lecture begins at 7PM and will be held at SCI-Arc in Downtown Los Angeles, cheap kamagra effervescent. Find kamagra effervescent, You can find out more here. After all the hooplah has died down, content should resume it's normal monthly appearance, kamagra effervescent cheap drug. Cheap kamagra effervescent from uk, Stay tuned. Cheapest kamagra effervescent online. Kamagra effervescent discount. Generic kamagra effervescent cheap. Online kamagra effervescent. Order kamagra effervescent no prescription. Kamagra effervescent prescription. Kamagra effervescent buy drug. Kamagra effervescent pharmacy. Buy cheapest kamagra effervescent. Kamagra effervescent pills. Buy kamagra effervescent internet. Order kamagra effervescent cheap online. Kamagra effervescent without a prescription. Order kamagra effervescent on internet. No prescription kamagra effervescent. Discount kamagra effervescent no rx. Kamagra effervescent buy. Kamagra effervescent drug. Buy kamagra effervescent online without prescription. Kamagra effervescent approved. Buy no rx kamagra effervescent.

Posted in Architecture, Books, Technical, Theory, Urbanism | Tagged Dark Mattter Urbanism, DOUMS, John Southern, Mies Van der Rohe, SCI-Arc, Seagram Building, Urban Operations, Woodbury University School of Architecture | Comments Off

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Posted on June 11, 2011 by admin

Buy amoxicillin without prescription, Now that post-criticality has finally been debunked as a thin veneer covering a deep and growing pool of cynicism within architecture, architects and urban planners should feel O.K. about reading again, amoxicillin no rx. Buy amoxicillin from us, The problem is, that with the decline of both academic and professional journals alike, buy amoxicillin online cheap, Buy amoxicillin low price, the number of outlets for serious writing have almost disappeared from the design discipline. It’s not just that the proliferation of blogs and apps like Twitter have proven to be more efficient vehicles for information delivery, find cheap amoxicillin, Order generic amoxicillin, or that the psychology attached to digital media has provoked a conditioning tending towards those with short attention spans, but rather it’s that magazines are simply harder to produce than digital content, amoxicillin online. Drug amoxicillin, However, while physical information exchange is slowly being supplanted by an online culture of surfing for information, cheapest generic amoxicillin, Order no rx amoxicillin, the past ten years of publishing have produced more than a few exceptional artifacts which transcend the contemporary individual’s tendencies toward temporal dabs at intellectualism. One of these projects is MONU, buy amoxicillin without prescription.

Produced in the Netherlands by Board Publishers, purchase amoxicillin no rx, Amoxicillin tablet, and edited by Bernd Upmeyer, MONU provides a dynamic forum for discussions orbiting the theme of global urbanism, order amoxicillin online. Cheapest generic amoxicillin online, Building on Dutch traditions of open trade (The Netherlands had one of the biggest merchant marine fleets in the pre-Twentieth Century world), the magazine, amoxicillin internet, Amoxicillin canada, open-sourced to its core, collects and deploys a wide variety of articles, purchase amoxicillin, Buy discount amoxicillin online, images, concepts, amoxicillin in bangkok, Order amoxicillin no rx, and urban critiques from designers and thinkers around the world. Recognizing that the traditional journal no longer connects to today’s informed audience, discount amoxicillin without prescription, Buy cheap amoxicillin, MONU follows the grand tradition of the architecture zine, a format that is decidedly casual in nature, order amoxicillin overnight delivery, Amoxicillin us, cheap in production value, but serious in its mission- to reinvigorate the discussion of matters facing contemporary culture and the designs that affect (or are affected by) its development, buy amoxicillin without prescription. Amoxicillin in malaysia, In MONU 14: Editing Urbanism, salvos from OMA, order amoxicillin from canada, Amoxicillin from canada, Beatriz Ramo, and Patriza Di Monte, amoxicillin cost, Real amoxicillin without prescription, attack themes which are hyper-relevant to the topic of modern urbanism. Buy amoxicillin without prescription, There are no sacred cows here as the authors take on cultural or spatial issues concerning preservation, dramatic exercises in rethinking zoning practices, or the effects of capitalism on the city itself, as was the case in Sean Burkholder’s exploration on the idea of ”neglect”. For those Superstudio fans, order amoxicillin without prescription, Buy amoxicillin in us, this issue includes an interview with Adolfo Natalini, who examines both his past work with the group as well as his current office Natalini Architetti, amoxicillin online sale. Buy amoxicillin from india, Another piece entitled “ Controlling the City”, by Michiel van Iersel, buying amoxicillin online, Drug amoxicillin online purchase, Juha van ‘t Zelfde, and Ben Cerveny probes the future of urban analysis through their research on digital control systems, order cheap amoxicillin, Amoxicillin prices, delivering a canny vision of how mobile computing and smart phone technology not only affect, but are affected by the sociological condition of the contemporary individual in the city, buy amoxicillin generic. Amoxicillin generic, It is this diverse collection of interests and ideas that make MONU a dynamic example of current publishing practices which efficiently exploit the notion of global collaboration and produce a projective body of both cultural and architectural criticism.

While academic journals have long been used to produce scholarly work and magazines have been left to simply entertain or inform, publications like MONU allow us to explore these categories simultaneously without being exposed to the overly simplistic projections of coolhunters or the patronizing attitudes of the mainstream design press. The rise of the Internet has certainly done damage to the printed word, but small publications like MONU represent fertile ground for the exchange, and most importantly, the documentation of critical ideas and projects. The wide breadth of information and themes explored in each issue mean that Upmeyer and his writers (which include, from time to time, yours truly) are slowly growing an archive of urban interrogation, proving that even with the decline of print in the digital age, the written word still matters.

You can purchase MONU online by emailing the publishers: publishers@b-o-a-r-d.nl, at selected architecture bookstores, or through Amazon.com.
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Posted in Architecture, Books, Theory, Urbanism | Tagged Bernd Upmeyer, Board Publishers, MONU, Zines | Comments Off

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Posted on March 24, 2011 by admin

Buy female pink viagra without prescription, Beatriz Colomina and Craig Buckley, Editors (Actar, 2011)

A certain kind of nostalgia for Sixties has permeated academic circles within architecture for some time now. Wistful and watery eyes look hopefully to that blurry, radicalized space between the death of International Style Modernism and the Post-modern period that followed. We’ve come to love the notion of architecture in the Sixties and Seventies because it seemed so optimistic. Like the popular culture of the time, you had your “hot” and your “cool”, or in architecture’s case, your Bundshafts and your Chip Lords, all ready to either help “the man” or resist consumerism's charms by unplugging completely. The latter days of PoMo have not been so kind with capitalism having so saturated the Avant-garde that form itself- that one-time life raft of radicalism, has been thoroughly co-opted by the likes of Lexus and Nike. What’s a designer to do but turn on, tune in, and drop out. Domes be damned, discount female pink viagra online. Lowest price for female pink viagra,

Subsequently, a Post-War generation of architecture’s radicals graduated into thoroughly globalized practitioners, buy female pink viagra lowest price, Find discount female pink viagra online, became the heads of schools, and in doing so, female pink viagra cheap price, Discount female pink viagra, became THE MAN. But if you want a recap and or wish to sample the terrain before the fall, then you’ll enjoy Actar’s newest offering, female pink viagra without prescription, Buy generic female pink viagra online, Clip Stamp Fold: The Radical Architecture of Little Magazines 196X to 197X. Assembled by historian and theorist Beatriz Colomina, Craig Buckley, find female pink viagra online, Order female pink viagra on internet, and their students at Princeton University as a traveling exhibition, this hefty book curates and exposes an exhaustive collection of radical viewpoints and the “little magazines” that birthed them. What you get here is a visual performance, buy female pink viagra cheap, Cheap female pink viagra no prescription, one that is embodied by a clever collage of small talks, interviews, generic female pink viagra online, Best price female pink viagra, rare archival images, and historical excerpts, female pink viagra order, Drug female pink viagra online purchase, all of which thankfully seek to halt any further nostalgic pangs that the 60’s and 70’s might evoke in the tender doctoral student’s heart, through shear indexical production alone, buy female pink viagra online cheap. Buying female pink viagra online,

“Each of the magazines I saw was part of, as you said, female pink viagra australia, Get female pink viagra, a network. Actually if you looked at these smaller magazines, they were linking up with people around either the country of the world, female pink viagra in bangkok, Approved female pink viagra pharmacy, [people] who had similar views and ideas.”- Peter Murray

Having been fond of the polemical projects of Ant Farm, Archigram, buying female pink viagra, Order cheap female pink viagra online, Superstudio and Archizoom since I was a student in the late Nineties, I was delighted to read the collection of interviews (sectioned in the book into smaller, no prescription female pink viagra, Female pink viagra side effects, zine-like missives) which included chats with Chip Lord, Peter Cook, generic female pink viagra cheap, Buy no rx female pink viagra, and Andrea Branzi. There’s nothing new here that a scholar of the period wouldn’t have already intercepted, though the interviews with Jean Aubert of Utope: Sociologie De L’Urban, buy female pink viagra online without prescription, Buying generic female pink viagra, Lucia Licitra Ponti of Domus, and Peter Crump's Street Farmer, order generic female pink viagra, Buy female pink viagra low price, to name a few, were welcome additions to my own mental cartography of the projects produced at the time (Domus seems obvious, find no rx female pink viagra, Female pink viagra tablet, but I’d always thought it too obsessed with being Italian to take it seriously before I read Lucia’s interview). The casual nature of the transcripted talks and visual material is what makes Clip Stamp Fold intriguing as a project. You’d expect Colomina, a hardened academic with massive chops, buy female pink viagra in canada, Order female pink viagra no prescription required, to collapse the vast archive into a readymade text to be trotted out in survey courses everywhere. However, she and her team allow the trajectory of the material to overlap, female pink viagra medication, Female pink viagra approved, to flow, and ooze from project to project, female pink viagra from canada, Cheap female pink viagra overnight delivery, demonstrating that while the theme of radicality certainly applies to the perpetrators of the little magazines, the shear conceptual drift and lack of a cohesive identity amongst the publications make taxonomy irrelevant.

“The architecture magazine was a way of communicating, a way of keeping up-to-date. We pointed out talent, Italian talent or worldwide talent. We had to point that out mainly through images. We weren’t a dictionary, an encyclopedia, or a movement.”- Lisa Licitra Ponti (editor at Domus 1948-1986)

Clip Stamp Fold catalogues the front resisting an architectural culture under the duress of designing itself into a permanent state of complacency. The “Generation of 68’” and those who followed closely behind had an axe to grind, and one that couldn’t simply be branded by MoMA or the cool-hunters of the day for consumptive purposes (Though Italy: The New Domestic Landscape certainly tried). Much like the indie musicians who would take the piss out of the early 1980’s and Reagan’s money-grubbing yuppies by clambering into vans, and developing a loose network of moldering outposts of anti-corporate music culture and edgy zines in their wake, the instigators of the little magazines in Clip Stamp Fold cobbled together their own infrastructural network of sorts. It was one not bent on regurgitating the sub-cultural fads of the day into empty hipsterish jargon, or kowtowing to whims of trade vendors, but rather they were intent on proliferating alternative frequencies of information, so as to strengthen architectures critical voice as a subcultural message, giving it a resonating timbre that questioned the very notions of professional practice and the role of the architect in the Post-fordist world.

“…The school was enormous. We had no control; we simply did what we wanted. We suggested things to those who wanted to listen, to follow, to do things, but we didn’t have control. There was no control possible. Melp. set off terrible polemics.”- Pierre Clement (editor of Melpomene 1962-66)

Clip Stamp Fold communicates that, when pressed, architecture can critically expose itself to satirical parody and refreshingly innocent or creatively introspective production. That many of the publications in the book resulted in the cohesive idea of a critical movement, a rumor that staggered on till the end of the late-Twentieth Century, might be saying too much, for many of the little magazines were dead-set on staking out their own unique and fertile ground in order to free themselves from the tired notion of architectural practice itself. However, by committing words and images to paper, they forced the rudder of design on an imperceptibly different course, and tasted what it’s like to promote a revolution, the flags of which have found their comfortable resting place in history with the release of this not-so-little book.

Posted in Architecture, Books, Theory | Tagged Architecture, Beatriz Colomina, Book Reviews, Clip Stamp Fold, Little Magazines, Zines | Comments Off

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Posted on March 14, 2011 by admin

Sanford Kwinter's Requiem

Written by Sanford Kwinter (Actar Buy gold viagra without prescription, , 2011)

“Perhaps ours is simply not an era for grand designs and revolutionary ambitions, yet we ought to think twice before dismissing with such self-satisfaction those, like Stockhausen, who remind us that such transformations are still possible---and that they may not always be.”

It is generally agreed that critical urban theory, or any kind of critical theory for that matter, has declined in influence since the late 90’s, and most notably within design circles. Some would suggest it’s voice has been muted by the cacophonous din of pro-capitalist forces who have gleefully borne architecture up and onto the podium of the world stage, first as a dewy-eyed debutante to be debauched, and presently as a seasoned prostitute, whose sexual powers seduce even the most provincial locale into a spending its way out of post-industrial degradation, and into a global destination, developed solely for those who can afford the plane fare. Others would say that Theory is useless beyond its application as a post-critical strategy for assigning ideology to a project (since buildings in and of themselves make for poor stories). For those who still believe though, Theory- architecture’s recalcitrant sibling, still shadows the discipline, if not to govern (for now), to at least keep pragmatism in check by angrily raising its voice from time to time, so as to remind designers that beyond the seductive geometries and vivid sensorial environments made possible by the last twenty years of economic prosperity and technological innovation, the semblance of a cultural narrative is still desired for moral stability. However, this is not to add relevancy to building, but rather to ask the important “why?”, so that we as professionals understand the social and cultural ramifications of a project beyond its aesthetic effect on the city itself.

“What is almost routinely lost sight of today is the understanding that market liberalization (i.e., buy gold viagra without prescription, Gold viagra no rx required, a single integrated, and deregulated world market) and globalization are two very different things.”

Sanford Kwinter has been at the forefront of architectural theory over the past two decades, gold viagra without a prescription, Gold viagra without rx, largely as an academic provocateur, but also as the primary force behind the ZONE Books series, buy discount gold viagra, Cheap gold viagra on internet, which sought to catalog and represent the more intense investigations of the design disciplines mapping of its most piquant ideological peaks. His voice, part of a larger critical conversation underpinned by the likes of Jeffrey Kipnis, gold viagra pharmacy, Gold viagra price, Keller Easterling, Michael Sorkin, gold viagra free sample, Order discount gold viagra, and Manuel Delanda, to name a few, gold viagra alternative, Gold viagra online cheap, represents the remaining friction left in the conversation between theory and practice. Kwinter’s new book, Requiem, find cheap gold viagra, Gold viagra without prescription, visualizes the intellectual terrain of late Twentieth Century urbanism, and is both a practical guide for maintaining one’s mental chops, no rx gold viagra, Buy gold viagra no rx, but also an unaffected, yet paradoxically acerbic lecture about the current state of architecture as it enters its second decade of the Twenty-first Century, gold viagra in australia. Cheap gold viagra without prescription, “’Experience’ is becoming the new shibboleth and buzzword in the post-electronic commercial world (an uncomely by-product of the cult of ‘on-line experience’ engineering).”

In keeping with traditions of Zone, Requiem is designed both as an intellectual vessel, compare gold viagra prices, Gold viagra sale, in this case for Kwinter’s arguments, but also as a graphic device which reinforces the message. Its compact size (an industry default he notes) and pedestrian font selection (Times New Roman) seeks to not only develop a critical stance against the last two decades of aesthetically ripe, gold viagra overnight delivery, Buying generic gold viagra, yet ideologically empty graphic design, but also serves as a visual armature to represent the theoretical stance Kwinter wishes to illustrate. Thus Requiem is both a visual and ideological portrait of a glass floor, purchase gold viagra overnight delivery, Gold viagra drug, the cracks in which are subtly growing larger, even as we wish to ignore the sounds of their presence, gold viagra no online prescription. Get gold viagra, “The poverty of much urbanist thought can be traced to a persistent fallacy: that the city, or Metropolis, gold viagra in bangkok, Discount gold viagra online, expresses itself preeminently in its physical form and that it is amenable to analysis and intervention as a finite concrete object alone. The city, however, buy discount gold viagra online, Order gold viagra cheap online, is not this but rather a perpetually organizing field of forces in movement, each city a specific and unique combination of historical modalities in dynamic composition.”

Requiem takes us a surgical examination through the annals of late-modernist urban history, canadian pharmacy gold viagra, Gold viagra medication, not simply through its architectural effects, but it’s political ones as well. Beginning with the Pompidou’s construction in 1960’s Beaubourg, gold viagra online sale, Gold viagra pills, he uses architecture as a catalyst to represent the Post-Fordist city’s violent socio-cultural transformation in the age of flexible accumulation. Drawing deeply on critical economic theory developed by referenced sources such as Karl Popper, and obvious unreferenced Neo-Marxists such as Manuel Castells, gold viagra sales, Gold viagra purchase, and Frederic Jameson, Kwinter constructs an articulate mapping which concludes, buy gold viagra from canada, Gold viagra pill, not with a dooms-day scenario, but rather with a convincing call-to-arms, order gold viagra without prescription, Gold viagra order, one though that will perhaps resonate more readily with freshmen students of architecture, rather than their commission-stunned professors. This tactic marks the success of Requiem, in that it does not seek to wax nostalgic about Theory’s former role in the discipline. Instead, Sanford Kwinter desires to excite and inspire those who will surely have to reconcile the intellectually bankrupt trespasses of an architectural culture whose most vocal mandate currently seems to be an unhealthy obsession with itself.

Posted in Architecture, Books, Theory, Urbanism | Tagged Architecture, Requiem, Sanford Kwinter, Urbanism | Comments Off

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Posted on February 3, 2010 by admin

Buy cialis without prescription, Ah February.

This month is the social precipice that signifies the downward slide of New Year’s resolutions everywhere. In February the futility of self-improvement becomes glaringly apparent- Gym memberships are canceled, cheapest generic cialis online, Buy cheap cialis internet, floundering relationships implode, and people go back to being predictably imperfect. However, cialis india, Cialis cheap price, for those of you who are still aspiring to greatness, I have some literary detritus to make you seem smarter at cocktail parties, tablet cialis, Cialis approved, and whose size and graphic lucidity will certainly spruce up your bookshelf during the coming year of predictably boring coffee table books and vanity slabs that have come to signify the first decade of the new millennium.

I have never been interested in form as a projective device and so I was delightfully surprised when I happened to pick up The Function of Form a few months ago. Written as a continuation of The Function of Ornament (Actar, find no rx cialis, Order cialis, 2007), Farshid Moussavi reiterates her interest in architectural affect and performative geometry through the exploration of several fascinating and notable case studies- many of which span hundreds of years across the architectural cannon. According to Mousaavi, cialis us, Cialis free delivery, the behavioral unity that joins the various typologies together is two-fold. First, there is their geometrical evolution which she grounds in the transversal or “base unit” method of formal generation. Here multiplicity is defined from a singular parent form, cialis vendors, Buy discount cialis online, which then regulates and informs elements throughout the rest of the system.

The second characteristic cited by Mousaavi is the concept of creating novel forms through tessellation or the repetition and differentiation of virtual forms. According to the books introduction, find cialis online, Buy cialis from us, every project cited in The Function of Form contains inherent qualities found in tessellation, and that these qualities result in a kind of material or affective lexicon to be incorporated and exploited by designers interested in buildings with a certain kind of material affectation or formal nuance, cialis buy online. Buy cialis on internet, The Function of Form is a respectable guide on geometric morphology for both architects and students alike (though it does espouse a very particular kind of formal behavior). The books beautifully minimalist diagrams and erudite text are perfect for those who wish to dabble or simulate expertise in the production of formal affect. The problem with such books however, is that they inevitably fall prey to abuse in both the academic studio and beyond. While I don’t expect to see Mousaavi’s text referenced in any professional articles, free cialis, Cialis pills, I am waiting for the moment when a student of mine cites the book in response to a studio problem. I also have no doubt there will be entire fabrication seminars which may use it as a primary source in order to shore up their often elementary knowledge of performative structure and shape. While I recognize that the “form-makers” who will praise Farshid Moussavi’s book tend to only hear their own scripted siren song, an alternative voice from an outside critic might have made the conceptual melody all the more pleasant in this text, cialis no rx, Order cialis no rx, and given A Function of Form the critical objectivity so often missing in the contemporary discourse of formal morphology and material affect. Cheap cialis no rx. Canadian cialis. Buy cialis on line. Cialis discount. Cheapest cialis prices. Best price for cialis. Cialis medication. Generic cialis cheap. Purchase cialis without prescription. Buy cialis from canada. Cialis overnight delivery. Discount cialis online. Overnight cialis. Cialis prices. Cheapest generic cialis. Buy generic cialis online. Purchase cialis online. Cheap cialis pharmacy. Cialis. Low price cialis.

Posted in Architecture, Books | Tagged Farshid Moussavi, The Function of Form | Comments Off

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Posted on January 5, 2010 by admin

Buy viagra super active+ without prescription, I have this propensity to clean things on New Years Day. It’s been an obsessive habit which I’ve maintained over the past 10 years or so. This year though, I made new inroads into my insatiable desire to consume and then purge.
I threw away all of my back issues of Dwell, find viagra super active+ without prescription, Order viagra super active+ without prescription, Metropolis, and Form. However, buy cheap viagra super active+ online, Buy viagra super active+ online cheap, before I pitched the lot into my blue bin, I took a couple of hours to browse through the last 5 years or so if themes in print publishing. There was object-worship, purchase viagra super active+ overnight delivery, Viagra super active+ cheap drug, “tech fetish”, “green washing”, viagra super active+ purchase, Order viagra super active+ from us, “how-to’s” on being your own developer, and of course the rise of Dubai, online viagra super active+, Viagra super active+ online without a prescription, and China as global examples of architectural excess. However, despite all the 2-cent speculations on built-form which have popped up since 2005, viagra super active+ malaysia, Generic viagra super active+, there were some serious conversations about urbanity and domesticity that still in many ways remain fresh on the second read. I’ll also miss many of the voices which have either moved on or been silenced by illness or death. Gone is Herbert Muschamp, one of the most brilliant critical observers of urbanity since Ada Louise Huxtable’s heyday in the 60’s and 70’s. Also, viagra super active+ alternative, Viagra super active+ professional, my favorite curmudgeon, Philip Nobel, cheapest viagra super active+ price, Cheap viagra super active+ from usa, whose witty and notably acerbic pieces I used to adore almost as much as Ben Katchor’s cartoons in Metropolis is no longer with the magazine. Sadly many of the tritely populist voices I was able to ignore in Dwell have, over the past few years, cheap viagra super active+ no prescription, Viagra super active+ pharmacy, moved over to pollute the pages of Metropolis, and the magazine is showing a remarkably lackadaisical attitude as of late towards serious issues facing both the profession and society as a whole. My guess is that Metropolis has erased itself from relevancy through its blatantly commercial attempts to shore up its subscription base with endless articles focused around the banal technical aspects of “green” architecture and “nester” porn, buy viagra super active+ pills, Cost viagra super active+, all the while avoiding critical topics facing both the academy and urbanism.

So it’s safe to agree that print media will die, cheap price viagra super active+, Fda approved viagra super active+, and that’s O.K. (I saw a woman at my local spa come out of her massage with a Kindle tucked under her arm). However, cheap viagra super active+ in usa, Viagra super active+ cheapest price, have no fear, books will continue to serve as fetish objects as my Amazon bill for 2009 can attest to, find viagra super active+, Buying viagra super active+, and design professionals will continue to churn out visually seductive content for lifestyle magazines such as Wallpaper (who have thought it would make it this long?), Mark, viagra super active+ prescription, Discount viagra super active+ no rx, and my personal favorite from 2008, Monitor- A glossy pub, cheap viagra super active+ overnight delivery. Real viagra super active+ without prescription, that conjures up visions of remote island tax havens and Russian mafia backing. With the rising dominance of design-oriented blogs such as Dezeen, Tropolism (which I write for on occasion), buy generic viagra super active+, Where to order viagra super active+, and Archinect, one now no longer has to go to the magazines to taste the soup du jour. I count over 30 design blogs on my Delicious toolbar and continue to stay updated through a constant RSS feed, compare viagra super active+ prices online, Buy viagra super active+ canada, which I rarely check these days since most of the digital work is starting to look the same. However, there is nothing like kicking back with a glass of one’s favorite scotch or vodka and paging through a pile of pulp (at least till Apple gets that new tablet to market). Of course the random nature of browsing leads to sometimes pleasant surprises, best price viagra super active+, Buy viagra super active+ in us, though this is happening to me more often on the Web as I sometimes spend evenings wandering around the Internet trolling for random content. For those of you who prefer the caress of paper to the sterile plastic of the touchpad or mouse, have no fear, viagra super active+ online sales, Approved viagra super active+ pharmacy, print media will endure long past its sell-by date. While the demise of the publishing house will most likely be old news by the time I reach Social Security age, viagra super active+ price, Cheapest viagra super active+ online, you should expect the content of the remaining pubs to be better, the price much higher, and the circulation to be of a highly strategic nature.
Enter the zine.
Being both a fan and an active participant in Zine culture I’d like to think zines will continue to proliferate. Because of their highly-personal nature, zines have transcended the simple function of content delivery and have become socio-cultural totems to be fetishized, collected, and adored. I have yet to discover a blog which encourages the curiosity I feel with zines, but perhaps I’m looking in the wrong places online. In any case, while I’m going to let my Dwell, Metropolis, and Form subscriptions lapse this year, I have my iPhone set to remind me when I should be looking for the seasonal issue of Pinup. Pinup is “zine” more than “mag” and focuses on interviews and design content that in most cases operates on the fringes of the art and architectural professions. Some of the interview material is highly superficial (like the recent piece with Peter Marino, perhaps the first true example of the Starchitect personality in all its disgusting honesty), however enough of the writing is respectable and the content entertaining enough to substantiate it’s high price. It goes without saying that Pinup could be online, and in fact does have a substantial online version, but it just doesn’t titillate in quite the same way.
What I find to be the most interesting about Pinup and magazine-zines like it is that together they represent the future of print publishing which will become a high-priced niche venture as digital devices proliferate and evolve, even while methods of production become cheaper and easier to accomplish from remote locations (remember when LuLu was cool?). However, what will keep print around and close to our hearts is its random nature. Like cities, which will never be marginalized completely by the suburbs, print media will endure because we can meet it on the street, fall in love, and discover the beautiful unpredictability that is quickly becoming the stuff of antiquity in this, our highly-structured, and over-saturated digital life.

Posted in Architecture, Art, Books | Tagged Dwell, Form Magazine, Metropolis, Pinup | Comments Off

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Posted on September 23, 2009 by admin

Buy clomid without prescription, I had originally planned to post a review of Steve Waksman’s academic romp through the anals of Heavy Metal and Punk this week, entitled “This Ain’t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk” (UC Press, 2008). However, after some of the responses I received both on Archinect and Twitter I thought perhaps that an expansion of last week’s post about SCI-Arc was in order as well. Thus torn between my two loves, architecture and music, and unable to dedicate the time both sets of commentary would require, I’ve opted to filter the former through the latter in hopes of not only clarifying my position about the work I examined while at SCI-Arc but to also satisfy my original goal, which was to deliver a review of Waksman’s book.

In the 1979 and 1980 issues of Creem, clomid pharmacy, Buy clomid no prescription required, a discussion erupted in the “Letters” section that was centered around both the classification and the status of Heavy Metal music and its assumed adversary, Punk Rock. For fans of Heavy Metal, clomid cheap, Best price for clomid, a genre that had suffered greatly during the Seventies due to the greed of major labels and by a general lack of progression in the music, the article “Is Heavy Metal Dead?” by writer Rick Johnson seemed to be the catalyst for a vigorous discussion that would last for years in both scholarly and fan-based music circles. For Waksman, buy clomid in canada, Buy generic clomid online, the importance of this argument lay, not in it’s attempts to substantiate the dominance of either genre, buy clomid from canada, Buy cheap clomid internet, but instead that the fan’s responses seemed to point to a much more complicated issue- that genre informs how audiences experience and synthesize popular music.

Fan commentary in the wake of Johnson’s article produced some rather poetic commentary such as “I grew up listening to real Rock that is still being played by any respectable FM station in the country more than any of this New Wave bullshit, clomid australia, Online pharmacy clomid, and by real performers who know what the hell they’re doing, and after 10 to 15 years, clomid without rx, Clomid side effects, can still sell more records and tickets than any New Wave assholes alive”. For those people who have ever gotten in a fight with a friend about music, this probably sounds familiar. However, cheap clomid tablets, Find clomid, it is these angry salvos, which range from ardent chest thumping to homophobic insults riding on the masculinity of Punk Rockers Johnny Rotten (Sex Pistols) and Iggy Pop (The Stooges). What interests Waksman and forms his thesis for the text are four criteria which he applies to the analysis and critique of Heavy Metal and Punk Rock music to show that they are in fact one complex hybrid which lies in juxtaposition with mainstream Rock n’ Roll. These are: Aesthetic value, clomid overnight, Cheap clomid online, exposure, gender, clomid no prescription, Buy clomid overnight delivery, and history.

With these criteria as his litmus, clomid pharmacy online, Buy clomid internet, Waksman curates a trajectory of sub-cultures within both Heavy Metal and Punk in order to define how the two musical styles situate themselves within the trajectory of late 20^thCentury Post-Modern music culture. While fans of the two sounds believed themselves to be different, both socially and aesthetically from one another, lowest price for clomid, Order generic clomid, the research in the book demonstrates otherwise. When one strips the visual stylings and commercial successes away from both camps, the music experience itself blends into a sound that rubs against the larger canon of Rock n’ Roll. In short, find clomid online, Clomid uk, aesthetics and commercial exposure don’t really matter that much, but instead what defines the music and sets it apart from the mainstream is its sincerity and purpose-driven desire for experimentation and technical innovation, best price clomid, Clomid medication, all of which draw on either a connection to or a resistance against the accepted rules of popular music. It is this action of response against the mainstream that both genres shared and cultivated throughout their early development, and one that was heavily reliant on external forces. Heavy Metal music mutated and transformed the traditional guitar structures of Rock n’ Roll technique from the 1960’s, buy clomid in us, Cheap clomid on internet, while Punk rejected technique all-together in favor of socio-political commentary. However, without some kind of larger understanding of the cultural forces around them, clomid cheap drug, Clomid discount, both Heavy Metal and Punk would have never emerged from underneath the cloak of Rock n’ Roll. Instead, they would have become mere footnotes, order clomid from us, Clomid online cheap, rather than the transformative genres which now permeate and influence the mainstream itself. Buy cheapest clomid on line. Order no rx clomid. Compare clomid prices. Clomid online without a prescription. Buy cheap clomid. Clomid online review. Clomid online stores. Pharmacy clomid.

Posted in Architecture, Books | Comments Off

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Posted on January 21, 2009 by admin

Buy accutane without prescription, Written by Tom Marble. Book design by Juliet Bellocq, Osborne.

Published by R.A.M, cheap accutane in uk. Accutane tablet, Publications and the Los Angeles Forum for Architecture and Urban Design.

(Editors Note: This review originally ran in Tropolism)

“In every dream home a heartache

And every step I take

Takes me further from heaven

Is there a heaven?

I’d like to think so”

Roxy Music, accutane malaysia, Where to buy accutane, “In Every Dream Home a Heartache”, Roxy Music, cheap accutane pill, Discount accutane no rx, 1973.

I started out my career in architecture as a designer with a corporate firm in Washington D.C, buying generic accutane. that specialized in office parks, many of which were located in the rapidly developing Reston/Dulles Corridor of Northern Virginia. The experience, which only lasted 6 months, left me so cynical towards both corporate developers and the architects who serve them that I quit and went to work for another Virginia firm that focused on assisted living, buy accutane without prescription. Cheapest accutane prices, That however, is another story, accutane india. Cheap accutane from canada, What I learned during my short tenure at that firm was that the development industry has neither an emotional attachment towards the social implications of the built environment, nor does it care for the utopian projections which began with the modern movement- both sentiments that are drilled into architects brains during their first year of design education. Instead, accutane for sale, Accutane tablets, developers have learned to harness what architects typically eschew- society’s fondness for nostalgia and predictability, as well as an ability to conveniently ignore the implications of the environmental damage caused by suburban development, accutane drug. Accutane rx, Enter After the city, (this is how we live), buy accutane us, Buy accutane online without prescription, a clever, exploratory pamphlet by Los Angeles architect, real accutane without prescription, Purchase accutane no rx, Tom Marble. Supported by the Los Angeles Forum for Architecture and Urban Design, After the city, online accutane, Generic accutane, (this is how we live) cloaks itself in the guise of a Hollywood script weaving a story that is both educational as it is entertaining. Marble seeks to unravel the why behind all of those “little boxes on the hillside”, how they got there, buying accutane online, Accutane no rx, and the men who made them. Hollywood has long been infatuated with the suburbs, often portraying them as hotbeds of banal consumption juxtaposed with the prospect of illicit activities which often occur behind the carefully manicured hedgerows and modest facades. However, where to order accutane, Certified accutane, while many script writers have explored the psychology and sociology behind suburban living, few have sought to uncover the larger processes that gave us the suburbs in the first place, cheap accutane tablet. Free accutane, Using disillusioned architect Nathaniel Flemming as his tragic hero, Marble populates his story with a flock of vapid characters, cheap accutane pharmacy, Accutane, whom at best, are two dimensional representations of their real- world counterparts. The developers I’ve met are far more complex than the individuals depicted in Marble’s story, buy accutane on line, Price of accutane, though this may meet the standards of cinema, a business where the actor is expected to supplement what the writer leaves out. His plot borrows character types from L.A.’s own film noir legacy as well as inserting local architect superstars Eric Owen Moss and Frank Gehry, overnight accutane, Cheapest generic accutane online, as well as urban theorist Norman Klein into the mix for authenticity. However, the overarching goal of After the city, accutane without a prescription, Accutane alternative, (this is how we live) is not to paint Boschian portraits of the evil developer and his automaton minions, but to use them as a vehicle in order to teach the reader about the technical processes that are inherent in large scale commercial and residential development. Covering all scales of subjects from land entitlements to stucco details, discount accutane online, Buy accutane pills, Marble crafts a handbook for deciphering the contemporary development project. Buy accutane without prescription, The narrative of the script is complimented by a bank of images which populate the latter half of the book and seek to inform us about how cynical and ruthlessly systematic the world of development can be. Some of the images are a bit scatological, but this can be overlooked when one combines them with the text, a feat easily accomplished by Juliet Bellocq’s restrained and calculated graphic design. What results is an additional narrative overlay which only emphasizes the pathos unfolding in the cinematic plot that Marble has devised.

I’ve never been a fan of reading scripts and was initially skeptical of Tom Marble’s delivery method for the book. However, accutane prices, Buy discount accutane online, when I recently read it on a flight from Los Angeles (or Ellay as the characters in the book call it) to Florida, I couldn’t put it down. Marble uses all the predictable hooks and stereotypical characters found in traditional cinematic fiction and yet manages to hold your attention by mixing the lurid details of his characters daily lives with the esoteric minutia embedded in the development industry. The result being that the reader is both entertained and educated, accutane in bangkok, Generic accutane cheap, which is exactly what one might wish of a project such as this.

After the city, (this is how we live) has few faults and my only general criticism would be that Marble neglects to really uncover the larger realities of the system that created the development industry. Real estate is predicated on the consumers quest for predictability and security, but it is also much more. In the world of capitalism property is a representation of the larger territory of global production, with real estate serving as a place holder for the temporal flows of capital itself. This means that it is a mere mirage of the system, not the actual machine. It is this concept that the characters of the book are not able to illustrate, possibly because of the excessive scope of such a task.

As my plane flew back to Los Angeles I picked up After the city, (this is how we live) again, scanning the story this time to pick up pieces of detail or plotlines I’d missed before. After reading the texts’ climatic ending for one last time I put the book back into my carryon, choosing instead to gaze out the window at the Mojave Desert some 28,000 feet below the aircraft. We were closing in on the L.A. metropolitan area and the brown smear of desert was giving way to the rocky peaks of the San Bernandino Mountains and the equally brown haze of urbanity beyond. Below me Federally protected wilderness was giving way to the threads of civilization as forest and canyon parted for freeway and suburb. I squinted down at the emerging sprawl of cul de sacs, strip malls, and single family homes that make up the Eastern San Gabriel Valley, knowing why they were there, how they arrived, and that there would be more.

After the city, (this is how we live) is available through Ram Publications (www.rampub.com) and on Amazon (www.amazon.com).

Posted in Architecture, Books, Urbanism | Comments Off

Buy Ultram Without Prescription

Posted on January 7, 2009 by admin

Buy ultram without prescription, Edited by Kazys Varnelis

Actar, 2008. Find ultram no prescription required,

Review by John Southern

During the last ten years of economic mirth a lot has changed in regards to the contemporary city, both in how it looks and how we inhabit it. Since the late 1990’s both cities and private capital have invested heavily in glamorous architecture and staggeringly beautiful landscape projects whose role it was to enhance a particular metropolises cultural cache in relationship to its global neighbors, cheapest generic ultram. Discount ultram overnight delivery, Technological innovations in consumer electronics coupled with the increasing prevalence of the Internet have enhanced cosmopolitanism and network culture rather than creating isolation that early critics feared. And while the money poured in aesthetic beauty and civic narcissism reigned supreme.

Now, lowest price ultram, Purchase ultram overnight delivery, as capital flows across global markets evaporate and those markets begin to collapse, politicians and civic pundits alike are all whispering the same word: Infrastructure. While a new museum or concert hall will be a hard sell over the next decade they theorize, cheap ultram in usa, Buy ultram low price, a new bridge or light rail project will not because of the construction jobs those projects generate. Even President-elect Barack Obama has stated that part of the U.S. economic recovery will hinge on heavy government spending and investment in infrastructure. As building commissions dry up it is only a matter of time before architects try to align themselves with these new State and Federal patrons, buy ultram no rx, Buy cheapest ultram, casting aside formal seduction in favor of survival.

They will no doubt find that infrastructure does not need them and in fact faces a crisis of its own. It only takes a book like The Infrastructural City to make this apparent. Edited by network theorist, Kazys Varnelis and published by Actar, The book’s authors seek to clarify the role of infrastructure in shaping the contemporary metropolitan environment as well as illuminate its inherent weaknesses. Focused on Los Angeles, Varnelis and his writers slowly pick away at the popular misconception among architects that what they produce in urban environments actually affects the way in which cities perform. Loosely riffing on Rayner Banham’s original thesis in the Architecture of Four Ecologies, the book examines urban constructs such as flood control channels, telecommunication networks, and commercial logistics centers and how their location and physical manifestation shape the city in profound ways that a patron-based civic project such as Frank Gehry’s Walt Disney Concert Hall never could, buy ultram without prescription.

Varnelis is adept at corralling an eclectic mix of writers (many of them practicing architects), cheapest ultram price, Find cheap ultram online, photographs, and diagrams, find ultram on internet, Compare ultram prices online, and bonding them together into a seamless trajectory of critical observations about Los Angeles and its surrounding environs. Save for One Wilshire, a “telco-hotel” in Downtown Los Angeles originally designed by Skidmore Owings and Merrill and intended as “Class A” office space (which never happened due to the economic downturn of the 1980’s), ultram no online prescription, Ultram sales, there is no pedigreed architecture in this book. Instead, what is discussed in the superbly written essays are the behemoths of capital; the myriad of systems, ultram sale, Ultram for order, networks, and technologies that make cities work, ultram free delivery. Order cheap ultram, A majority of the writing in the book will satisfy both the casual reader and academic alike. However, in his introduction Varnelis suggests that the book might serve less as a text for the classroom and more as a guide for the intrepid urban explorer, order ultram from canada, Ultram information, who filled with an unquenchable desire to understand the metropolis that surrounds them, strikes out onto its freeways and river beds searching for enlightenment. After reading The Infrastructural City, order ultram on internet, Ultram generic, I agree with this projection, and see the book as a contemporary to the Thomas Guide- that incredibly detailed and thorough six hundred-plus page map book that every new arrival to Los Angeles used to buy before GPS technology rendered it obsolete. The beauty of the Thomas Guide was its informational density. It permitted the user to gain a personalized reading of Los Angeles by allowing them to abstract the various symbols and strains of data into their own “meta-code” of navigation. However, purchase ultram online, Ultram in malaysia, don’t be fooled into thinking this is simply a book for fans or scholars of Los Angeles. The essays in it espouse to the ideal that the various topics are relevant to the larger global perception of urbanism and that Los Angeles is merely playing the role of the provocateur in this scenario. In short, this could have taken place in New York, discount ultram, Find discount ultram, Hong Kong, or Dubai and the message would still be the same- Infrastructure is the dominant force that shapes the contemporary city, order discount ultram online, Buy generic ultram, not architecture, but both are in crisis due to the break-down of speculative financial markets coupled with the proliferation of NIMBYism in the modern city, drug ultram. Order ultram no prescription required, What also becomes apparent after reading The Infrastructural City is how tenuous the architect’s role in contributing to the built environment really is. As capital flows increase their plasticity and are lubricated by technology, cities choke on grass-roots democracy and localized individualism, find discount ultram online, Tablet ultram, stymieing new civic projects. As a result, infrastructures role as a panacea for solving the problems of the contemporary metropolis only gains friction leaving it open to terminal failure. Only by understanding and recognizing this reality will architects be able to operate in the contemporary urban terrain, buy ultram lowest price. Buy no rx ultram, As commissions continue to elude practitioners during the current global economic malaise, architects and urban planners may be left wondering where they went wrong, ultram from india. Ultram online sale, The Infrastructural City will help them. Buy ultram online cheap. Order cheap ultram online. Cost of ultram.